The Aesthetics of ‘So Bad it’s Good’: Value, Intention, and The Room

‘The Aesthetics of ‘So Bad it’s Good’: Value, Intention, and The Room’ James MacDowell and James Zborowski A cult film valued for being ‘so bad it’s good’ – in Jeffrey Sconce’s terminology, ‘badfilm’ – is championed via a form of interpretative competence which values incompetence. Scholarship addressing the terms ‘bad’ and ‘good’ in relation to … Continue reading